This long-term project unfolds memory through the material reworking of black-and-white photographs.

In the darkroom, I revisit and enlarge film images taken over the past years, engaging directly with the prints through physical interventions—layering, scratching, and embedding materials that respond to the content of each image.

By interacting with these surfaces, I explore the relationship between materiality and flatness, photography and memory, allowing the past to be reopened, altered, and reimagined.